Bez odsazen\u00ed od lev\u00e9ho okraje, odsazen\u00ed mezi jednotliv\u00fdmi itemy -4pt pro z\u016f\u017een\u00ed mezer.<\/p>\n\n\n\n
\\documentclass{article}\n\\usepackage[czech]{babel}\n\\usepackage{geometry}\n\\geometry{a4paper, margin=2cm}\n\\usepackage{enumitem}\n\\usepackage{parskip}\n\\usepackage{nopageno}\n\\usepackage{xcolor}\n\\usepackage[enable]{darkmode}\n\\usepackage{mdframed}\n\\usepackage{lmodern}\n\\usepackage[fixed]{fontawesome5}\n\n\\setlist[itemize]{label=\\textcolor{cyan}{$\\hookrightarrow$}} %\\textbullet \\faGreaterThan\n\n\\definecolor{DP}{HTML}{293133}\n\n\\NewDocumentCommand{\\wextbf}{m}{%\n\t{\\vspace{-6pt}\\hspace{-7pt}\\noindent\\colorbox{cyan}{\\color{DP}\\textbf{#1}}}\n}\n\n\\NewDocumentCommand{\\textbw}{m}{%\n\t{\\color{cyan}{#1}}\n}\n\n\\NewDocumentCommand{\\wemph}{m}{%\n\t{\\color{cyan}\\emph{#1}}\n}\n\n\\newcommand{\\mysection}[2]{\n\t\\setlength\\fboxsep{4pt} % spacing around box contents\n\t\\section*{\\colorbox{DP}{\\makebox[\\dimexpr\\textwidth-2\\fboxsep\\relax]{\\color{cyan}#1\\hfill#2}}}\\vspace{-4pt}\n}\n\n\\begin{document}\n\\fontsize{10pt}{10pt}\\selectfont\n\\setlength\\parindent{0em}\n\\mysection{Jaroslav Havl\u00ed\u010dek}{\u017divot a liter\u00e1rn\u00ed odkaz}\n\t\n% Biografie a liter\u00e1rn\u00ed kontext\n\\begin{mdframed}[backgroundcolor=DP,\n\tlinecolor=cyan,\n\tlinewidth=2pt,\n\tinnertopmargin=5pt,\n\tinnerbottommargin=5pt,\n\tinnerleftmargin=5pt,\n\tinnerrightmargin=5pt]\\color{white}\n\\wextbf{Biografie a liter\u00e1rn\u00ed kontext}\\par\nJaroslav Havl\u00ed\u010dek (1896\u20131943) byl v\u00fdznamn\u00fdm \u010desk\u00fdm spisovatelem, jeho\u017e tvorba pat\u0159\u00ed k vrchol\u016fm meziv\u00e1le\u010dn\u00e9 \u010desk\u00e9 literatury.\nNarodil se v Jilemnici, m\u011bst\u011b v Krkono\u0161\u00edch, kter\u00e9 inspirovalo prost\u0159ed\u00ed jeho d\u011bl, v\u010detn\u011b rom\u00e1nu \\wemph{Petrolejov\u00e9 lampy}.\nJeho \u017eivot byl poznamen\u00e1n p\u0159ed\u010dasnou smrt\u00ed na z\u00e1n\u011bt mozkov\u00fdch blan a omezen\u00fdmi mo\u017enostmi publikov\u00e1n\u00ed b\u011bhem druh\u00e9 sv\u011btov\u00e9 v\u00e1lky.\nHavl\u00ed\u010dek studoval obchodn\u00ed v\u011bdy na \u010cesk\u00e9m vysok\u00e9m u\u010den\u00ed technick\u00e9m v Praze, av\u0161ak studia nedokon\u010dil a v\u011bnoval se p\u0159edev\u0161\u00edm literatu\u0159e, kde se prosadil jako mistr psychologick\u00e9ho rom\u00e1nu.\nJeho tvorba, ovlivn\u011bn\u00e1 autory jako \\wemph{Fjodor Dostojevskij}, \\wemph{Franz Kafka} \u010di \\wemph{Marcel Proust}, kombinuje introspekci, realistick\u00e9 zobrazen\u00ed venkovsk\u00e9ho prost\u0159ed\u00ed a soci\u00e1ln\u00ed kritiku.\nMezi jeho kl\u00ed\u010dov\u00e1 d\u00edla pat\u0159\u00ed \\wemph{Neviditeln\u00fd} (1937), \\wemph{Ta t\u0159et\u00ed} (1939), \\wemph{Helimadoe} (1940) a zejm\u00e9na \\wemph{Petrolejov\u00e9 lampy} (1944), kter\u00e9 tvo\u0159\u00ed vrchol jeho tvorby.\n\\textit{Funfact}: Havl\u00ed\u010dkova d\u00edla, v\u010detn\u011b \\wemph{Petrolejov\u00fdch lamp}, byla p\u0159elo\u017eena do n\u011bm\u010diny.\nHavl\u00ed\u010dk\u016fv syn Zbyn\u011bk byl surrealistick\u00fd b\u00e1sn\u00edk. \n\\end{mdframed}\\vspace{-2pt}\n\n% Kl\u00ed\u010dov\u00e9 rysy Havl\u00ed\u010dkovy tvorby\n\\begin{mdframed}[backgroundcolor=DP,\n\tlinecolor=cyan,\n\tlinewidth=2pt,\n\tinnertopmargin=5pt,\n\tinnerbottommargin=5pt,\n\tinnerleftmargin=5pt,\n\tinnerrightmargin=5pt]\\color{white}\n\\wextbf{Kl\u00ed\u010dov\u00e9 rysy Havl\u00ed\u010dkovy tvorby}\\par\nHavl\u00ed\u010dkova d\u00edla se vyzna\u010duj\u00ed n\u00e1sleduj\u00edc\u00edmi rysy, kter\u00e9 odr\u00e1\u017eej\u00ed jeho z\u00e1jem o lidskou psychiku a spole\u010densk\u00e9 pom\u011bry:\n\\begin{itemize}[leftmargin=*]\\setlength\\itemsep{-4pt}\n\t\\item \\textbw{Psychologick\u00fd realismus} -- Hlubok\u00e1 anal\u00fdza vnit\u0159n\u00edch konflikt\u016f, motivac\u00ed a emoc\u00ed postav, odhaluj\u00edc\u00ed slo\u017eitost lidsk\u00e9 psychiky.\n\t\\item \\textbw{Soci\u00e1ln\u00ed kritika} -- Zobrazen\u00ed spole\u010densk\u00fdch tlak\u016f a patriarch\u00e1ln\u00edch struktur, zejm\u00e9na v kontextu venkovsk\u00e9ho \u017eivota.\n\t\\item \\textbw{Fatalismus} -- Tragick\u00e9 motivy a osudovost, kdy postavy \u010del\u00ed nevyhnuteln\u00fdm \u017eivotn\u00edm konflikt\u016fm.\n\t\\item \\textbw{Lyrick\u00fd styl} -- Poetick\u00e9 vyjad\u0159ov\u00e1n\u00ed propojuj\u00edc\u00ed realistick\u00e9 popisy se symbolick\u00fdmi rovinami.\n\t\\item \\textbw{Rodinn\u00e9 vztahy} -- Zkoum\u00e1n\u00ed nap\u011bt\u00ed a ob\u011bt\u00ed v rodin\u00e1ch, \u010dasto spojen\u00fdch s osobn\u00edmi dilematy.\n\t\\item \\textbw{Mor\u00e1ln\u00ed ot\u00e1zky} -- Konflikt mezi povinnost\u00ed a individu\u00e1ln\u00ed svobodou \u010di hled\u00e1n\u00ed smyslu \u017eivota.\n\\end{itemize}\n\\end{mdframed}\\vspace{-2pt}\n\\mysection{Petrolejov\u00e9 lampy}{Liter\u00e1rn\u00ed anal\u00fdza}\n\n% Vznik a kontext d\u00edla\n\\begin{mdframed}[backgroundcolor=DP,\n\tlinecolor=cyan,\n\tlinewidth=2pt,\n\tinnertopmargin=5pt,\n\tinnerbottommargin=5pt,\n\tinnerleftmargin=5pt,\n\tinnerrightmargin=5pt]\\color{white}\n\t\\wextbf{Vznik a kontext d\u00edla}\\par\nRom\u00e1n \\wemph{Petrolejov\u00e9 lampy}, p\u016fvodn\u011b vydan\u00fd jako \\wemph{Vyprahl\u00e9 touhy} v roce 1935 a posmrtn\u011b p\u0159epracovan\u00fd v roce 1944, je Havl\u00ed\u010dkov\u00fdm nejv\u00fdznamn\u011bj\u0161\u00edm d\u00edlem. M\u011bl tvo\u0159it prvn\u00ed \u010d\u00e1st pl\u00e1novan\u00e9 trilogie o \u0160t\u011bpce Kili\u00e1nov\u00e9 a prost\u0159ed\u00ed Jilemnice, ale Havl\u00ed\u010dek dokon\u010dil pouze tento rom\u00e1n a fragment \\wemph{Vl\u010d\u00ed k\u016f\u017ee}. P\u0159\u00edb\u011bh sleduje \u0160t\u011bpku Kili\u00e1novou, dceru zednick\u00e9ho mistra, kter\u00e1 se z finan\u010dn\u00edch d\u016fvod\u016f provd\u00e1 za sv\u00e9ho bratrance, d\u016fstojn\u00edka Pavla Malinu, trp\u00edc\u00edho syfilidou a progresivn\u00ed paral\u00fdzou. Tento s\u0148atek ji uv\u011bzn\u00ed v t\u00ed\u017eiv\u00e9m prost\u0159ed\u00ed, kde bojuje s nemoc\u00ed man\u017eela, osam\u011blost\u00ed a spole\u010densk\u00fdmi o\u010dek\u00e1v\u00e1n\u00edmi. Rom\u00e1n je hlubokou studi\u00ed \u017eensk\u00e9 psychiky a kritikou venkovsk\u00fdch struktur na p\u0159elomu 19. a 20. stolet\u00ed. \\textit{Funfact}: Filmov\u00e1 adaptace od Juraje Herze (1971) s Ivou Jan\u017eurovou byla vybr\u00e1na na Filmov\u00fd festival v Cannes 1972.\n\\end{mdframed}\\vspace{-2pt}\n\t\n% Hlavn\u00ed motivy a t\u00e9mata\n\\begin{mdframed}[backgroundcolor=DP,\n\tlinecolor=cyan,\n\tlinewidth=2pt,\n\tinnertopmargin=5pt,\n\tinnerbottommargin=5pt,\n\tinnerleftmargin=5pt,\n\tinnerrightmargin=5pt]\\color{white}\n\\wextbf{Hlavn\u00ed motivy a t\u00e9mata}\\par\nRom\u00e1n \\wemph{Petrolejov\u00e9 lampy} je bohat\u00fd na motivy, kter\u00e9 odr\u00e1\u017eej\u00ed Havl\u00ed\u010dk\u016fv z\u00e1jem o lidskou psychiku:\n\\begin{itemize}[leftmargin=*]\\setlength\\itemsep{-4pt}\n\t\\item \\textbw{Ob\u011b\u0165 a povinnost} -- \u0160t\u011bpka se ob\u011btuje pro rodinu, co\u017e ji vede k vnit\u0159n\u00edmu rozporu mezi povinnost\u00ed a touhou po \u0161t\u011bst\u00ed.\n\t\\item \\textbw{Spole\u010densk\u00fd tlak} -- Kritika patriarch\u00e1ln\u00edch norem venkovsk\u00e9 spole\u010dnosti omezuj\u00edc\u00edch svobodu \u017een.\n\t\\item \\textbw{Psychologick\u00e1 hloubka} -- Detailn\u00ed zobrazen\u00ed \u0160t\u011bp\u010din\u00fdch vnit\u0159n\u00edch konflikt\u016f a smi\u0159ov\u00e1n\u00ed s osudem.\n\t\\item \\textbw{Symbolika petrolejov\u00fdch lamp} -- Lampy symbolizuj\u00ed kontrast mezi sv\u011btlem nad\u011bje a temnotou nemoci a spole\u010densk\u00fdch omezen\u00ed.\n\t\\item \\textbw{Trag\u00e9die a fatalismus} -- Osudov\u00fd pr\u016fb\u011bh p\u0159\u00edb\u011bhu podtrhuje nemo\u017enost uniknout osobn\u00edm a spole\u010densk\u00fdm p\u0159ek\u00e1\u017ek\u00e1m.\n\t\\item \\textbw{L\u00e1ska a osam\u011blost} -- Zkoum\u00e1n\u00ed nenapln\u011bn\u00e9 touhy po l\u00e1sce, potla\u010dovan\u00e9 rodinn\u00fdmi povinnostmi.\n\\end{itemize}\n\\end{mdframed}\\vspace{-2pt}\n\t\n% Liter\u00e1rn\u00ed v\u00fdznam\n\\begin{mdframed}[backgroundcolor=DP,\n\tlinecolor=cyan,\n\tlinewidth=2pt,\n\tinnertopmargin=5pt,\n\tinnerbottommargin=5pt,\n\tinnerleftmargin=5pt,\n\tinnerrightmargin=5pt]\\color{white}\n\\wextbf{Liter\u00e1rn\u00ed v\u00fdznam}\\par\n\\wemph{Petrolejov\u00e9 lampy} p\u0159esahuj\u00ed r\u00e1mec region\u00e1ln\u00edho rom\u00e1nu d\u00edky univerz\u00e1ln\u00ed tematice a hlubok\u00e9 anal\u00fdze psychiky. Havl\u00ed\u010dek propojuje realistick\u00e9 zobrazen\u00ed Jilemnice s lyrick\u00fdmi a symbolick\u00fdmi prvky, \u010d\u00edm\u017e vytv\u00e1\u0159\u00ed d\u00edlo o ob\u011bti, svobod\u011b a hled\u00e1n\u00ed \u0161t\u011bst\u00ed. Rom\u00e1n z\u016fst\u00e1v\u00e1 kl\u00ed\u010dov\u00fdm p\u0159\u00edsp\u011bvkem k \u010desk\u00e9 literatu\u0159e, podpo\u0159en\u00fd i filmovou adaptac\u00ed a z\u00e1jmem \u010dten\u00e1\u0159\u016f. \\textit{Funfact}: Havl\u00ed\u010dk\u016fv styl byl p\u0159irovn\u00e1v\u00e1n ke Kafkovi d\u00edky jeho schopnosti zachytit absurditu a tragiku lidsk\u00e9ho osudu.\n\\end{mdframed}\\vspace{-2pt}\n\\end{document}<\/code><\/pre>\n\n<\/div>\n\t\t<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"Zobrazit PDF Toto byl prvn\u00ed pap\u00edr, kde jsem zkusil text \u0159adit do blok\u016f. A up\u0159\u00edmn\u011b z toho vze\u0161el tak dob\u0159e vypadaj\u00edc\u00ed dokument, \u017ee jsem z toho ud\u011blal dal\u0161\u00ed template pro b\u011b\u017en\u00e9 pou\u017eit\u00ed. Preambule: Documentclass je klasicky article, podpora \u010desk\u00e9ho textu, nepou\u017e\u00edt\u00e1m UTF8 k\u00f3dov\u00e1n\u00ed, proto\u017ee je u LuaLaTeX kompil\u00e1toru nepraktick\u00e9. 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